5 Fantastic Sports Photography Shots

There’s a level of creativity in every type of photography. From portraits to landscape, the best photographers are the ones who are able to see the details and take a new view of something.

This rule applies for sports photography. We know that when you are a new photographer, it can be hard to get a good range of photos. Everything comes down to practice and when you are beginning your sports photography hobby or career, you’ll want to practice taking lots of photos.

We’ve even talked about the three types of sports photos but we wanted to give you an idea of some shots to look for during your sporting events so you can start taking different types of photos and improving your skills

  1. The action shot

We all know this shot but it’s often the hardest one to get because you never quite know when action is going to pop up. But there are a few places you can strategically place yourself to try and catch the action. The action usually takes place near the key areas of the game. So you’ll want to position yourself near the goal, hoop or home plate. Sometimes you may have to anticipate the play. For example, maybe you are shooting first base but see a play developing at home so you may need to run to get to home! The key is to keep shooting and anticipating action.

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  1. The celebration shot

These are some of the best photos. They are that moment right after the game buzzer or right after the goal. Not only will you want to be positioned somewhere strategically near the action but you want to pay attention to the facial expressions of the players. Try to zoom in as much as possible. What is key to remember with the celebration shot is to keep shooting after the goal or the play. That’s when you’ll get these great photos.

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  1. The sideline shot

The action is not always on the field. The sidelines can tell quite a story about a game. While you are shooting, be sure to pan toward the sidelines. It can be especially powerful to do so during moments just before the action shot. For example, if a player is about to step up to shoot a foul shot at the end of the game or a batter is getting ready to swing when their team has two outs. You can often catch the intensity or excitement on the sidelines. Sidelines also make for great celebration shots!

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  1. The crowd shot

The players are not the only ones who are part of the game. The fans in the stand can make for great subjects of your photos! Your photos should capture the feeling of the game and fans can play a big part in that feeling. You can often catch great crowd photos during time outs or between innings.

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  1. The details shot

These are often the graphical photos that we talk about this post. They are the details photos and you can get very creative with them! For example, the cleats of the players lined up in the dug out or the lacrosse stick laying against the team bench. These photos can serve as excellent opportunities to improve your technical skills when you aren’t trying to catch a certain moment or play.

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The next time you are photographing a game, try to experiment with taking at least one of these photos!

How To Capture Great Photos In Low Light

Sports games are often indoors or in the evenings, which can make lighting less than ideal. As sports photographers, we don’t always get to choose the times or locations of our games and since flash is a big no-no in sports photography, we have to learn to capture great photos in low light.

_RS23976Use Manual Mode

Hopefully you are already experiencing with using manual modes but if you have not, then low light is the time to try it. Your camera settings are not designed to help shoot action in low light so you want to take the camera off automatic mode.

Increase Your Shutter Speed

(If you haven’t read our article on shutter speed, you can do so here)

If you are using auto mode when shooting sports photos in darker conditions, the camera will automatically adjust itself to low light levels which is going to decrease the shutter speed. A slower shutter speed means that the camera has more time to let light in, which is good if you are in low light, but the problem with slow shutter speed in sports photography is that it causes blurry photos. You actually need to increase your shutter speed to decrease the possibility of blur. Yes, that means the camera might have harder time letting in light in such a short amount of time but we’re about to handle that.

Increase Your ISO

(If you haven’t read our article on ISO, you can do so here)

The higher your ISO is, the more sensitive it is to light, which means it will capture more light in your photo. The flip side of this is, of course, that the higher the ISO, the grainier or noisier the photo will be. Every camera is different so you should take some test shots with higher ISOs to see what the limit is before your camera starts shooting grainy photos.

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Open Your Aperture

Open up your aperture to the widest opening your lens has. That means more light will pass through the lens into your camera. Since you don’t have a lot of light to begin with, opening up your aperture will help you maximize the light you do have. Be aware that even opening up your lens to its biggest setting might still not allow enough light to come in if you’re using a slow lens.

Use a Faster Lens

If you know you are frequently going to be shooting sports or action photography in low light, you may want to invest in a faster lens that will allow for faster shutter speed and wide apertures to help improve your photos.

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The focus is an important to note when shooting in low light. When you are shooting with a wide aperture, your depth of field can decrease to very shallow depths. That means perfect focus on your subject is even more critical at night because of your limited depth of field.

Conditions are not always ideal for photographing but that does not mean you still can’t capture high quality photos in low light.

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A Guide to Lenses for Your DSLR

StockSnap_9AXI43044HIf you want to improve your photography skills, you will want to make the most out of your equipment. This includes knowing the right lens for your photos! A good camera lens can make a big difference in the look of your photos. There is no one right answer to which lens you should buy for your camera but it’s important to understand the difference between different lenses. Always try and use the best lens for the job at hand. Here are the most common lenses and how you should use them:

Standard Lenses –

If you recently purchased a DSLR, it might have come with a starter or kit lens. These are typically standard lenses. Standard lenses have an angle of view that is similar to a human eye so they take photos that appear natural. Standard lenses can be used for many different types of photos, from street photography to landscape or portrait.

Macro Lenses –

Macro lenses were designed for close-up photography. Many macro lenses produce a 1:1 image, which means the subject is reproduced on the camera sensor at life-size, providing plenty of detail for the photo. They that give great image sharpness and contrast and create eye-catching photos. Macro lenses are ideal for shooting smaller subjects like flowers or insects.

Telephoto and Super Telephoto Lenses –

Telephoto lenses have long local lengths over 70 mm. They help you photograph subjects that are farther away. Telephoto lenses focus on a narrower field of view and can bring far away subjects much closer. Telephoto lenses are often bigger and heavier than other lenses and are most frequently used for shooting wildlife or sporting events.

Wide Angle Lenses –

Wide angle lenses have shorter focal lengths, between 24mm and 35 mm. They provide an angle of view that is beyond a standard lenses so they can capture more of a scene in a single shot. Wide angles magnify the perceived distance between subjects in the foreground and background and can give an exaggeration of lines and curves in photos. Many people use wide angle lenses for landscape photos or when they are trying to get a large subject into a frame, like photographing a large group of people.

We also want you to know the difference between prime lenses and zoom lenses, just to help make your shopping easier!

Prime Lenses vs. Zoom Lenses-

A prime lens is one with a fixed focal length. You can get prime lenses in various focal lengths, from wide-angle to telephoto. A zoom lens is one that can be zoomed in or out providing different focal lengths. Prime lenses typically have wider apertures, which gives them better low-light performance and they have a better optical quality than zooms. But zoom lenses provide more flexibility in their ability to shoot at different focal lengths but at slower apertures.

The right lens depends on your photography subjects and your level of experience. You should shop around to find the right lens for your photos.

You can find any of these lenses at your local camera store or Amazon.

Interested in learning more about cameras and camera equipment! Check out these posts:
So You Got a Fancy New DSLR Camera… Now What?!
How to Get Started Using your DSLR Camera Settings
Using Wide Angle Lenses in Sports Photography
How to Find the Best Camera Equipment for Sports Photography

 

6 Tips for Taking Better Photos of Your Kid’s Sports

There’s nothing quite as fun as watching your child enjoy learning and playing sports. As a sideline parent, you have the important job of supporting them, no matter what goes on in the game. In addition to cheering on your kids, you may want to capture some photos of them so you and your child can remember their sports days for years to come!

But sports photos are tough to catch! How many times have you tried to photograph your child mid-shot only to wind up with a blurry photo? It happens to the best of us but there are a few simple tricks you can learn to decrease the chances of blurry or low quality photos of kid’s sports.

  1. Increase your shutter speed and use wide aperture

Women's Basketball vs DaytonIncreasing your shutter speed is one of the best things to do if you want to decrease the risk of blurriness in your photo. Fast shutter speeds help you freeze the action. Selecting a wider aperture will allow for a faster shutter speed and it also creates a more shallow depth of field, which is critical when you are focusing on your player.

2. Pay attention to your surroundings

When you are framing your shot, you want to take the background into consideration. You don’t want anything distracting in the background that could distract from the subject of the photo. You may want to invest in a zoom lens to help you zoom in or you can experiment with different angles to get the best shot.

3. Get on their level

When shooting kids sports, you may need to get down on their level. After all, you want to capture their expressions and the experience as closely as possible. That can mean kneeling or crouching down to capture the photos.

4. Pay attention to light youth sports photos

Good or bad lighting can make your photos look spectacular or turn them a terrible mess. If shooting outdoors on a bright sunny day, always try to shoot with the sun at your back to avoid being backlit. Cloudy days are by far the best for outdoor sports. The soft nature of the light coming through the clouds means you can shoot in any direction with no issues, but remember to raise your ISO to keep your shutter speed high. Indoor lighting can be poor and can make even the best composed photos look awful. The only solution is to use a lens with a big aperture and to increase your ISO even if it ends up higher that you’d like.

5. Don’t stop shooting

Even if you’ve think you have caught the perfect shot, it might not mean that you have! Keep pressing the shutter button to try to capture as many photos as possible. You never know what you will catch! And don’t miss out on the action because you’ve taken the time to look down at your photo after you’ve taken it. You can review your photos after the game but for now, keep shooting!

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6. The photos don’t have to stop when the action does.

There is more to the game then when your kid is at bat or kicking the ball. Look for moments when they are laughing with their teammate or talking to the coach or high fiving another player. Those moments are magical in sports as well and sometimes, they are even more memorable than those action photos!

Finally, perhaps more important than anything, don’t be so focused on the photos that you miss the game. Sports can be an extremely special times in a child’s life and you don’t want to miss out on the moments because you’re trying to find the right angle for the shot! Every now and then, it’s ok to put down the camera and enjoy!

Want to improve your sports photography skills? Learn about our customized packages! 

A Beginner Sports Photographer’s Guide to Aperture

We’ve talked about camera settings and how to take better action photos but if you want to take your photography skills to next level, you will want to get to know a few key settings. Over the next few posts, we will be taking a deeper dive into some of the important techniques and settings in sports photography.

We begin with one of the most talked about subjects in photography, aperture. Aperture is the opening in the lens through which light travels through. The size of the opening can be adjusted to let more or less light in. The larger the aperture, the more light hits the sensor and the smaller the aperture, the less light will hit the sensor.

It might be easier to think about the aperture like the pupil of a human eye. The iris of your eye (which is the colored part of your eye around the pupil) expands and contracts, controlling the size of the pupil. The smaller the pupil, the less light can hit the retina. The camera works in a very similar way. The smaller the aperture, the less light that can hit the sensor.

The aperture is measured in f-stops. When you change the f-stop on your settings, you change the size of the opening in the camera. Here is the tricky part of aperture that might take some getting used to: the higher the f-stop number is, the smaller the opening. The smaller the f-stop is, the larger the opening.

This image from Wikipedia gives a look at f-stops. The size of the circle represents the size of the lens of the aperture. As you can see, the larger f-stop number, f/8, has a smaller aperture.

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It might take some practice remembering that but for now just remember that the larger the number, the smaller the opening.

So how does aperture effect a photo? The aperture controls the depth of field of a photo, which is the amount of the photo that is in sharp focus. Have you ever seen a photo where the background of the photo is slightly blurred but the subject in the foreground is in sharp focus? That’s a shallow depth of field. A large depth of field is when the the entire scene is in sharp focus.

Let’s look at some examples. In this photo, there is a small or narrow depth of field, as the players are in focus but the fans and the fans are out of focus.

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But in this photo, there is larger or wider depth of field. Even the players in the back are just as much in focus as the players closer to the camera.

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The difference of these two photos depend on the aperture. So how can you change the aperture and create these different photos?

First you want to find the aperture of your lens. All lenses have a maximum and minimum aperture size and you will find these sizes printed on your lens. Older lenses have an aperture ring that you need to turn to adjust the aperture. You will see the numbers on the lens and you will adjust the ring to match the aperture you would like to set.

However, most modern don’t have aperture rings and instead, you set the aperture in the camera. The aperture can be set in Manual or Aperture priority mode. Aperture is designated on your screen as the number with the F in front of it.

Once you have found the right mode and adjusted the aperture, you can experiment shooting in different f-stops to capture different depth of field. Remember, if you want a particular subject to be in sharp focus, you would use a smaller aperture number. This isolates the foreground from the background making the foreground objects look sharper and the background blurred.

But if you want a wide or large depth of field, where most of the photo is in focus, like in the second photo, you would use a larger aperture number. This allows the image be in sharp focus from front to back with no blur.

Aperture also works together with shutter speed and ISO to create exposure but we’ll talk about that in a future post. For now, we recommend experimenting with the different aperture sizes to see how it makes a difference in your photos.

Be sure to check back for more blogs about the different camera settings for great sports photography or sign up to receive our blogs by email!

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So You Got A Fancy New DSLR Camera… Now What?!

jeshoots-com-219059You have probably been thinking about getting a DSLR camera for a while now. Maybe you want to capture special moments in your family’s lives. Maybe you have always had a photographer’s eye and want to improve your skills. For whatever reason, you have made the investment in a beautiful new DSLR camera and now… you have no idea what to do with it. There are so many dials and functions and your owner’s manual seems like its written in a different language. Does this sound familiar?

Before you shove the manual in a box, set your camera to “Auto,” we have some tips for getting started with your new DSLR camera.

So if you just got your DSLR and are not completely sure what to do to start making the most of your investment, then you need to follow these steps!

  1. Get the right memory card for your camera

Most cameras do not come with built in storage so you will definitely want to save all of the incredible photos you take with your new camera! DSLRs can accept Compact Flash (CF) and Secure Digital (SD) cards. There are several versions of SD Cards: SD, SDHC and SDXC. SDHC stands for High Capacity, usually between 2 and 32 Gigabytes. The SDXC has an even higher storage capacity, up to 2 terabytes. CF cards are bigger in physical size and they use flash memory to record data. You can find CF cards with storage space from 2 GB to 128GB. You will want to check your manual to find the right memory card for your camera.

You will want to pay attention to the storage space of your memory card as well. Be sure to consider the amount of data a memory card can hold. DSLRs typically produce images that have larger file sizes than point and shoot cameras so you want to make sure your card can store your images. As you can see above, you have plenty of options when it comes to the size of your memory card. Determine how often you are going to use your camera and how much space you really need.

Finally you want to look at the speed and class of the memory card. Class ratings determine how fast data can be written to your card. Classes range from 2-10, with 10 being the fastest. A Class 10 card can write at least 10MB/second, while Class 4 card can write 4MB/second. The speed is important because the faster your can write data, the more photos you can take in a row. Sports photographers usually need faster speed memory card because of the fast pace of the action.

2. Understand the difference between RAW and JPEG photos

DSLRs can save images in two different formats: RAW and JPEG. JPEG photos are processed and compressed in the camera.  The processing means that the camera automatically adjusts for contrast, brightness, noise reduction and sharpness.These files are finished and can be printed immediately after the shot. and RAW photos are unprocessed or uncompressed and therefore not ready for print immediately. RAW photos will usually look flat and dark when they are taken. They need to be processed by software. RAW photos are usually bigger file sizes and take up more space but if you prefer to do editing in Lightroom or Photoshop, RAW is usually a better option for your photos. Whether you choose to use RAW or JPG files, it’s up to you. That all depends on how much editing you prefer to do. However, it is important to note that if you are using your camera for sports photography and shooting burst sequences, you will be able to shoot more photos with the JPEG format.

3. Practice with your manual setting.

The dials and settings can feel overwhelming in a DSLR but they will help you to shoot better photos. It can be really easy to just set your camera on automatic mode and start shooting but we can guarantee you will have a higher quality of photos and feel more experienced as a photographer if you take the time to learn about manual settings. You will want to understand aperture, shutter speed and ISO to help you shoot better photos (We wrote a blog post explaining your camera settings here!)

4. Read the manual (or at least skim it)

We know that the manual to your camera is not the most entertaining thing to read and it is much less fun than actually using your camera. However, the manual will explain the technical parts of your camera to you so you can understand its full capabilities.

5. Experiment without using the flash

We recommend not using the internal flash on your DSLR. They often take unflattering photos and don’t always achieve the look you were going for. If you are using your camera for sports photography, you absolutely should not use your flash as it’s distracting to athletes. Luckily camera manufacturers have been improving cameras so that you can take better photos in low light. You can experiment with increasing your ISO and shooting without the flash to learn how to capture sharp and well-exposed photos without the internal flash.

6. Shoot lots of different subjects and shoot often

You can learn a lot about photography and your own personal interests by experimenting with different types of photos. Maybe you purchased your camera to capture fantastic landscape photos for an upcoming vacation. You can improve your skills by experimenting with shooting events or action photos. Or if you purchased your camera to shoot your children’s athletics, you can experiment with shooting portraits. Shoot often and shoot a variety of subjects. This will help you get more comfortable with your camera!

Most importantly, have fun! You probably purchased a new DSLR camera because you enjoy photography and you want to improve your skills. You don’t need to feel like a pro overnight. Take time to just have fun using your camera and enjoying learning a new skill!

Are you in the DC area and interested in taking your photography skills to the next level? Learn about our interactive sports photography classes! 

How to Get Started Using DSLR Camera Settings

StockSnap_4CLVYHVZ2LIf you recently purchased a fancy new DSLR or you are thinking about making the investment, you might feel overwhelmed at all the options and settings on it. Too many amateur photographers invest in great cameras but stick with the automatic mode and never learn how to properly use their camera. The advanced settings and modes in your DSLR camera were designed to help you shoot even better photos. If you feel overwhelmed or don’t understand what all the buttons on your camera mean, this article will explain the basic camera settings in your DSLR.

  1. Aperture

Aperture can seem confusing at first but it’s an important concept to understand for photographers. If you look at your lens, there is a circular opening where light comes through. The aperture settings control the size of that opening. If you widen the aperture, the opening will get larger and more light will be allowed in. If you narrow the aperture, the opening will get smaller and the less light you let in. If you narrow the aperture, more of the photograph will appear to be in focus. If you widen the aperture, less of the photograph will be in focus.

The important thing to know about aperture is that it’s represented in numbers called f-stops and that if the number is lower, it is a wider aperture and lets in more light. If the number is higher, it’s a narrow aperture and lets in less light. For example, a small f-stop, such as f/2 lets in more light than f/8.

You want to think about the lighting and exposure in a photo, as well as, the focus of the photo when you are experimenting with aperture. If it’s an extremely sunny day, you will probably want to use a higher f-stop so that you don’t let in too much light and over-expose the image. But on a darker evening, you will want to let more light in and use a lower f-stop. Read our in-depth beginner’s guide to aperture here.

2. Shutter Speed

The shutter speed refers to the amount of time it takes for the aperture blades to close to take a photo. It is usually just a fraction of a second. Shutter speed and aperture go hand in hand to creating a well lit, properly exposed shot. When you set the aperture and push the shutter-release button, the shutter will open and close allowing light to strike the sensor for a certain length of time.

Generally, you want to use a faster shutter speed, especially if you are shooting action shots. A faster shutter speed can help you capture the very instant of action.

However, you may want to shoot with a slower shutter speed if you are feeling creative and you want an intentionally blurred or overexposed photo. For example if you wanted to blur the fans in the background of a track meet, you would use a slower shutter speed while panning along with the runner.

3. Aperture Priority and Shutter Priority ModesStockSnap_HBBR93DVH6

Now that you understand shutter speed and aperture, you can understand these two modes in your camera. Aperture Priority is designated as Av or A on your camera dial and Shutter Priority is designated as Tv or S. These separate modes are often referred to as “semi-automatic” shooting modes.

In Aperture priority mode, you as the photographer will chose the aperture value and the camera will automatically set the shutter speed. In Shutter Priority mode, you choose the shutter speed and the camera will automatically set the aperture.

When you want to experiment with depth of field or motion blurs or action photography, we recommend experimenting in these two modes. If you want to have everything in focus or practice with background blur, use Aperture Priority. If you are working on action photography, use Shutter Priority. They can help you learn and feel more comfortable with aperture and shutter speed while still allowing the camera to do some of the work.

4. ISO

ISO measures how sensitive the camera is to light. It essentially controls the amount of light required by the sensor to achieve a certain exposure or brightness in your photo. Low ISO settings require more light to achieve an exposure. Generally if there is a lot of light already, say you are shooting outside on a bright sunny day, you will only need a low ISO number. But if you shoot in darker conditions, such as inside or in the evening, you will need a higher ISO number.  The important thing to remember when using high ISO number is that the higher the ISO, the grainier or noisier the photo will be. Most DSLRs have an “auto-ISO function,” which is very useful for new photographers.

5. Focus

You want to make sure that the subject of your photo is in focus, no matter what settings you use. DSLRs come with auto-focus modes, making it easy for you to set your focus. Focus modes rely on focus points in your camera. When you look through your viewfinder, you will see a number of squares or dots across the screen. When you press your shutter halfway down, one of these squares will be highlighted in red. That means it is the active focus point of the shot.

This is an overview of your camera settings and it should help you get started feeling comfortable with your camera.

We always suggest that you keep practicing with your camera and experimenting with different modes and settings. The more you play with your camera, the more you will improve!

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Using Wide Angle Lenses in Sports Photography

Sports is normally shot with a long zoom to bring the action closer to the viewer, but what if you want to bring the viewer to the action?

A wide angle lens is perfect for this. Because of its short focal length, a wide angle lens requires the photographer to get up-close-and-personal with their subject, therefore bringing the viewer along with them. In the photo below, we caught our expert teacher, Rafael, shooting with his wide angle lens.

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Wide angle lenses will add depth to the photo. They help you keep everything with the frame in sharp focus and the view from a wide angle lens will make the viewers feel like they are part of the action. Can’t you feel the action in this photo? That’s because we were shooting with a wide angle lens!

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Wide angle lenses are about capturing close up moments and being a part of the action. To use a wide angle lens correctly, we recommend getting as close as possible to the action. You want to be sure you are focusing the camera on your subjects. Sometimes this means getting low and down where the action is! This will create depth and help your subjects stand out in the photo in a way that draws the viewer into the moment. An example is the photo below, you truly feel as if you are in the circle with the team.

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With more elite sports, you may not be able to get into the action to practice shooting with the wide angle lens. However, if you are shooting youth sports, there are plenty of opportunities to get near the action and practice shooting wide angle. Have a photo that you took with a wide angle lens? We’d love to see it! Tag us in it on our Instagram or Facebook @DCSportsPhotographyAcademy.

If you would like to invest in a wide angle zoom lens, you have many options. Here are some of the excellent wide angle zoom lenses for Canon and Nikon cameras!

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How to Use Remote Cameras for Sports Photography

This month, photographers all across the country are setting up their gear to get the best photos during March Madness. If you have ever shot a sporting event, you probably already know how hard it can be to cover every angle possible. Especially in high level, fast-paced games like the basketball games during March Madness. That’s why photographers use remote cameras.

sports remote cameraRemote cameras allow photographers to shoot multiple areas of the game, race or match, without actually being there. It also offers a way to achieve multiple angles that photographers often cannot achieve on their own.

If you want to get started using remote cameras, there are a few things you should know. First you have to ensure you have the right camera. Not every camera will work as a remote camera. You need to have a specific port to plug in a PocketWizard. A PocketWizard acts as a switch that allows you to trigger the camera.

You will need two PocketWizards for remote cameras. One attaches to the remote camera and the other is used to trigger the remote. The second PocketWizard can be connected to a handheld camera or it can be used as a standalone transmitter.

Finally you will need a bracket or floor plate that will attach to the remote camera. It is essential that you receive permission from the building or the referees before you mount a remote. You want to ensure that it’s in a safe space and is not a hazard to the players or interfere with the game. Not only will this save you from interference and losing the job, but also from damaging your camera!

Once you have all your gear and permission from the building to set up a remote camera, you need to find the right place to set up your remote camera. You want to think where the action is going to occur and the different about the angles you can capture.

remote camera how toMany sports photographers choose the point of major action to set up their remote cameras. For example, in hockey you may want to set up a camera above one of the goals to get a overhead shot. In basketball, behind the hoop is a great way to capture really great action photos.

You can also choose to set up your remote camera fro
m above to try and capture the full view of the game, which would be impossible to catch from your spot on the floor.

Or maybe you want more options and angles of shots. For example, setting up a camera on the floor, while you’re on the other side of the court. Or setting up a remote camera behind a lacrosse goal while you’re on the other side of it, to give both perspectives of shots.

_RCS0261No matter where you choose to set up your remote camera or how you choose to use it, they can be invaluable tools if you want to advance your sports photography career.

The next time you are browsing through sports photos, take a look at the different angles to determine if a remote camera is used and where it was set up to give you a better feel for how photographers use remote cameras for high profile games.

For more step by step instructions, check out this video by Imaging Resource on how to mount a remote camera here.

The Right Camera Settings for Great Action Shots

It’s essential that you get yourself set up for success before the action starts in sports photography. Before the starting whistle blows and the game begins, get your camera set up with the right settings so you can shoot like a pro!

right-camera-settings-action-shots

Check your shutter speed and set it to the appropriate speed. Remember this depends on what you are shooting and how fast the subject is moving.

Set your camera to the lowest possible ISO setting for the amount of light you have to work with. If you are shooting outdoors, use ISO 100 or 200. If you are in low light, use higher ISO numbers. It’s important to note that the higher the ISO, the more “noise” or graininess a photo will have. It’s important to find the right balance between noise and blurriness when finding the right ISO setting for your event.

Adjust your aperture. The aperture is the opening of a lens that light passes through and it is calibrated in f/stops. It can be a little bit confusing when you first start off. The lower the f/stop means that the larger the opening in the lens and the higher the f/stop, the smaller the opening. A larger aperture (meaning a lower f/stop) will help you increase your shutter speed and give you a shallower depth of field to help isolate players from the background. This will also help you have a fast enough shutter speed to stop the action.

Try burst or continuous shooting mode. Continuous shooting mode can take multiple shots at a time and can be best for certain types of fast-moving sports. However, remember that your memory card will fill up faster with burst mode so be sure yours has enough capacity or you will have to delete shots at half time or time outs.

If you are shooting an indoor event, you will need to adjust your white balance setting. The preset daylight white balance setting will usually work for outdoor lighting. Because indoor lighting is artificial, you may want to set up a custom white balance or it can impact your camera settings and change the colors of your shot.

You also need to turn your flash off! This is key! Flash photography can distract the players. If you have a slow lens that requires flash, you may want to invest in a faster lens or rent one from DC Sports Photography Academy.

Remember, above all, that sports photography is something that requires consistent practice. Get your settings correct and remember that with each game, you will improve more and more.

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